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Medieval and Renaissance Drama in England is an international volume published annually. Each volume contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama before 1642. Volume 20 reflects a variety of scholarly interests, ranging from a forum on race, racism, and performance to articles addressing madness and hagiography in Hamlet, the staging of suffering in King Lear. Various authors have also contributed essays on the historical and theoretical issues relating to the actor's body, the handling of foreign languages on the English stage, and the use of stage curtains. Additionally the volume includes extended notes concerning a seventeenth-century playhouse in Tonbridge, Kent, and the professional lineage of Robert Armin. MaRDiE continues its custom of publishing review essays in one overview of books relating to the English history play and a second overview of drugs and medicine on the early modern stage. Reviews—long and short—complete the volume.

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PublisherFairleigh Dickinson University Press
File size5.6 Mb
eBook formatPaperback, (torrent)En
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